June News:

New video of Parcours parcuivres by John Oswald & Scott Thomson for mobile, spatialized brass tentet in Montreal’s Parc Lafontaine, June 2016

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Great review by Stuart Broomer of Heures indues: Trombone Solos (Bug Incision) alongside those of other superb releases by my friends Yves Charuest, Nicolas Caloia, Nick Fraser, and Rob Clutton.

‘Scott Thomson has ranged from The Rent, a group devoted to Steve Lacy repertoire, to site-specific compositions for a brass ensemble. In 2014-15 he had regular access to La Poêle, a Montreal dance studio, and launched a series of 30-minute concerts, Trombone Solos at Odd Hours (Solos de trombone à heures indues), six days a week – e.g., “19 May, 11:11am.” The resultant CD, Heures Indues (bug incision), has three pieces, each dedicated to an individual, each the sole listener for the performance. Thomson is an exceptional soloist, the beneficiary of close study of Paul Rutherford and studies with Roswell Rudd who has developed his own voice. He uses the whole instrument and has a keen sense of focus and development. “For Elizabeth Millar” begins in an extreme upper register, with little wisps of sound, from micro-glissandi that suggest animal voices to fragmented bugle calls. “For Jacques Gravel” explores multiphonics and muting, developing at one point a swing both vigorous and light. “For Lin Snelling,” the longest of the three pieces, adds the rattle of the metal mute against the bell and rapid runs, but Thomson also has something of the lyric upper register of Tommy Dorsey in his collection of sounds. What stands out most in these performances by appointment is Thomson’s sense of calm construction, every shift an organic evolution, akin to the solo work of Conrad Bauer.’